Pay What You Want, Made Anywhere 2, Fiminco, Romainville.
As part of Priiiiiiinting Collective, with Mélanie Feuvrier, a curatorial project we presented for the Made Anywhere 2 fair, a selection of artists' editions chosen for their ability to rethink the world and reformulate our relationship with works of art, others and objects, in a context of global warming, by experimenting with the principle of free pricing, PWYW (Pay What You Want).
Like Gianni Motti, who invites social, political and economic reality to break into exhibitions, the aim is to put artistic activity back at the heart of society.
‘For Beuys, every individual has the capacity to produce a work of art, and art has the potential to transform society. The notion of “social sculpture”, which is omnipresent in his work, is based on the relationship between human activity and social structures, on the premise that communication between human beings is essential.’
In the case of the sale of a cultural object (book, painting, etc.), the free price may is an expression of a desire to make culture available to all.
"The ecological transition must involve a reduction in the commodification of trade. This should be replaced by methods that are not based on the pursuit of profit and growth. Opting for free pricing is therefore contrary to the discourse that encourages the highest possible prices.”
All the material for the standin the interests of environmental protection has been recovered from items collected in the street and from the Réserve des Arts.
Bookmark, Vegetarian Parisian Sandwich,12 pages.
RRose Edition and Christophe Daviet -Thery publishers, May, 2025
Remarks on Colour, KBK Bruxelles,
April-May 2025
Remarks on Colour, KBK Bruxelles,
April-May 2025
Set de Voyage, German version
a postcard to activate / Eine Postkarte zur Aktivierung,
published by einBuch.haus, Berlin
Après coup / Nachträglichkeit , “to carry [something] behind [someone]”, is my response for Calendar 2025 for Einbuch.haus, it refers to Calendar 69, Segh Siegelaub's edition which organized an “international exhibition” of the “works” of 31 artists during each of the 31 days of March 1969, 56 years later.
Copy Machine, 32 p., Soft Cover, A5 format, 100 copies.
Risography, tow colors, A3 format
Performance reading
We slowed down our breathing, danced languidly, tasted chicory as an alternative to coffee, and laughed at the folly of men.
Slowness Therapy's performative reading is based on the writings of Paul Virilio, the behavior of Flash, the lazy man who works for the Zootopie administration, and the benefits of ecological degrowth theorized by French economist Timothée Parrique.
Taking time, aiming for the long term, is no longer part of today's language. We need to work fast, travel fast, communicate fast...
But gaining time has cost us the world.
Let's see how philosophers, historians, artists, ecologists and sociologists analyze our relationship with time.
It's not enough to say that everything is moving too fast, that everything is accelerating: massive political, social, physical, sensory, spatial and historical changes are at work.
S L O W N E S S T H E R A P Y
Risography-printed book, one color,
A5 format, 32 p., 100 copies.
© Tamara Uribe for Miss Read Berlin
S L O W N E S S T H E R A P Y
BY SNAIL MAIL, Stamp
Fin, a book that begins at the end.
More than Twenty unexpected end-of-film descriptions with a twist ending. A5 format, softcover book.
Salade de Fruits. Softcover Book, A5 format, black and white printing, stitched binding with orange thread.
A4 Single page, recto verso. Unlimited black and white printing.
Postcard, 150x210 mm, black print on silver card, self-publishing, 2023.
Dichochromie, 25 posters, 40x60 cm,
self-publishing, 2023.
No Know Last Adress, Artist's Postcard Edition published by Multinational Enterprise, Oslo, Norway, 2023.
Turn It Upside Down for The Multiple Art Days 8, 2023.
Tilt, postcard, self-publishing, 2023.
Set of envelopes, self-publishing, 2023.
Travelling set, activation.
Travelling Set
Travelling Set, activation.
In Advance of the Revolution, 2023.
Subterfuge value, 100x100 cm, acrylic on canvas, 2023.
Two crests for Doggerland Collection by Collectif La Valise BLAZERS / BLASONS, 2023.
Poster, 60x80 cm, self-publishing, 2022.
This book was designed with the point of all the font I have in my computer. 270 pages, A5 format, black and white. September 2022.
Throwing a Rubber Band in the Air to Get a Circle
(Thirty-Six Attempts). July 2022
Gestalt, enamelled plate from a collection of 64 forms, ( 3 copies of each). 2022.
Left, Right, “The painting doesn't make the painter”, 2022.
Door hanger for restrooms or showroom
Recto ou Verso
Verso ou Recto
Derived Products, 2022.
Sticker duo, 2022.
http://kontakt-journal.blogspot.com/
Gestalt, enamelled plate from a collection of 64 forms, ( 3 copies of each), 2022.
Champs Libres ( free field), variations from the graphic elements of the administrative forms, square and dotted line. Postcard and black and white book. 2021
In Our Hands, photography, 2021.
Tower Of Babel, More than 40 books with titles starting with "Tyranny" are stacked with the titles on the left side. 2022.
Triangular. Work, time and materiality
Black Square, Blake Circle, Black Cross, Black Triangle, catalogue page, canvas printed from a digital file. 2021.
Volume, unlimited edition. 2021.
Transitional Objects, unlimited edition, 2021.
Spinning Top, 2021.
Spinning Top. Photographs
Carré, Square, quadrato. Three squares to fold, the colours draw the folds, 2021.
The Travellers. Photographs, from 2019
Everything Is Alright. Photography. 2021.
Liver Crisis. Book of Photographs. "Liver attack" lists all the chocolate desserts I have eaten in the year from 2 December 2020 to 2 December 2021.
2 December is the International Day for the Abolition of Slavery.
In Advance Of The Disappearing Snow,
prototype, 2022.
Perpetual Calendar, non-leap years.
Repentirs, “The painting doesn't make the painter”, 2022.
Geographia. Silk-screen prints.
( in collaboration with Atelier Arçay)
16 city maps with color names, 2021.
The Travellers. Photographs
"The Painting Doesn't Make The Painter”, 2021.
On Stage, "The Painting Doesn't Make The Painter”.
Enamelled plate, 2021.
Four color printing on 100% linen fabrics; "Here are some tasks that are not household”.
3 months, 3 weeks and two days, 17 lists created during the lockdown weeks, 2020.
Goodies, replace the names of brands or the name of very famous stars with high quality intellectuals names.
The Travellers. Photographs, from 2019
"Like rabbits caught in the headlights of a car", video, 10 mn, extracts, 2017.
Heroines Are Tired, repainted advertising poster, 2020.
Free Illimited Edition A4xX, www.a4multiplieparx.site
Geographia. 16 city maps with color names
Smell Like Teen Spirit, perfume designed from the olfactory memories of my childhood.
« Les neurosciences valident l’idée que l’odorat fait effectivement voyager dans le temps » : si la vue et l’audition sont associées à des zones « spécialisées » qui ne font rien d’autre qu’interpréter l’information visuelle ou auditive, pour l’odorat, l’information est traitée dans la région du cerveau nommée « système limbique », également responsable de la mémoire, de l’apprentissage, des émotions et de la récompense. Elle va directement stimuler ces zones. Voilà pourquoi sentir donne cette impression étrange de se déplacer dans le temps et l’espace.
Banner of pennants, in response to the day of overshoot which advances year by year, 2020.
Here And Now, a page to write, (Last page of the book of Catherine Millet, History and geography of contemporary art.