Copy Machine, 32 p., Soft Cover, A5 format, 100 copies.

S L O W N E S S   T H E R A P Y , the stamps, By Snail Mail, By Skate Mail, By Bicycle Mail, By Canoe Mail, 30 copies of each, signed and numbered in a wooden boxes. 

S L O W N E S S   T H E R A P Y , the risography-printed book, one color, A5 format, 32 p., 100 copies.

Fin, a book that begins at the end.
More than Twenty unexpected end-of-film descriptions with a twist ending. A5 format, softcover book.

Softcover Book, A5 format, black and white printing, stitched binding with orange thread.

A4 Single page, recto verso. Unlimited black and white printing.

Postcard, 150x210 mm, black print on silver card, self-publishing, 2023.

Dichochromie, 12 posters, 40x60 cm, self-publishing, 2023.

No Know Last Adress, Artist's Postcard Edition published by Multinational Enterprise, Oslo, Norway, 2023.

Turn It Upside Down for The Multiple Art Days 8, 2023.

Tilt, postcard, self-publishing, 2023.

Set of envelopes, self-publishing, 2023.

Single sheet publication A 3/4 N°2 published by Fifthsyllable, UK, 2023.

Travelling Set, VF, VI, VE, self-publishing, 2023.

In Advance of the Revolution, 2023.

Subterfuge value, 100x100 cm, acrylic on canvas, 2023.

Two crests for Doggerland Collection by Collectif La Valise BLAZERS / BLASONS, 2023.

A book as object, auto édition, 2023.
Etant Donnés, Nîmes, October 2022.
The bags carried out of the places of monstration of the art draw circuits of connections, meetings and discussions. 

Poster, 60x80 cm, self-publishing, 2022.

This book was designed with the point of all the font I have in my computer. 270 pages, A5 format, black and white. September 2022. 

Throwing a Rubber Band in the Air to Get a Circle
(Thirty-Six Attempts). July 2022

Gestalt, enamelled plate from a collection of 64 forms, ( 3 copies of each). 2022.

Left, Right, “The painting doesn't make the painter”, 2022.

Door hanger for restrooms

Black and white photocopy printing on pink paper, 2022.
produits dérivés

Derived Products, 2022.

Sticker duo, 2022.

http://kontakt-journal.blogspot.com/

Gestalt, enamelled plate from a collection of 64 forms, ( 3 copies of each), 2022.

Champs Libres ( free field), variations from the graphic elements of the administrative forms, square and dotted line. Postcard and black and white book. 2021

In Our Hands, photography, 2021.

Tower Of Babel, More than 40 books with titles starting with "Tyranny" are stacked with the titles on the left side. 2022.

Triangular. Work, time and materiality
Black Square, Blake Circle, Black Cross, Black Triangle, catalogue page, canvas printed from a digital file. 2021.

Volume, unlimited edition. 2021.

Transitional Objects, unlimited edition, 2021.

Spinning Top, 2021.

Spinning Top. Photographs

Carré, Square, quadrato. Three squares to fold, the colours draw the folds, 2021.

The Travellers. Photographs

Everything Is Alright. Photography. 2021.

Liver Crisis. Book of Photographs. "Liver attack" lists all the chocolate desserts I have eaten in the year from 2 December 2020 to 2 December 2021. 
2 December is the International Day for the Abolition of Slavery. 
slavery. 

In Advance Of The Disappearing Snow, 2022.

Perpetual Calendar, non-leap years.

Repentirs, “The painting doesn't make the painter”, 2022.

Geographia. Silk-screen prints.
( in collaboration with Atelier Arçay)
16 city maps with color names, 2021.

The Travellers. Photographs

"The Painting Doesn't Make The Painter”, 2021.

On Stage, "The Painting Doesn't Make The Painter”.

Enamelled plate, 2021.

Four color printing on 100% linen fabrics; "Here are some tasks that are not household”.

3 months, 3 weeks and two days, 17 lists created during the lockdown weeks, 2020.

Goodies, replace the names of brands and Peoples with high quality intellectuals.

The Travellers. Photographs.

"Like rabbits caught in the headlights of a car", video, 10 mn, extracts, 2017.

Series of three tea towels, 2019.

Heroines Are Tired, repainted advertising poster, 2020.

www.a4multiplieparx.site

Geographia. 16 city maps with color names

Smell Like Teen Spirit, perfume designed from the olfactory memories of my childhood.

« Les neurosciences valident l’idée que l’odorat fait effectivement voyager dans le temps » : si la vue et l’audition sont associées à des zones « spécialisées » qui ne font rien d’autre qu’interpréter l’information visuelle ou auditive, pour l’odorat, l’information est traitée dans la région du cerveau nommée « système limbique », également responsable de la mémoire, de l’apprentissage, des émotions et de la récompense. Elle va directement stimuler ces zones. Voilà pourquoi sentir donne cette impression étrange de se déplacer dans le temps et l’espace.

Banner of pennants, in response to the day of overshoot which advances year by year, 2020.

Here And Now, a page to write, (Last page of the book of Catherine Millet, History and geography of contemporary art.

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